DREAM THEATER Announces February/March 2025 North American Tour

With the worldwide excitement around the recently announced European tour, Grammy-winning, progressive music titans DREAM THEATER have announcing the North American leg of their 40th-anniversary tour. The trek will be "An Evening With Dream Theater" and will be the first tour of North America since drummer Mike Portnoy's return to the lineup, joining vocalist James LaBrie, bassist John Myung, guitarist John Petrucci and keyboardist Jordan Rudess. The tour is scheduled for 30 cities across the United States and Canada and kicks off on February 7 in Philadelphia, Pennsylvania and runs through March 22 for the band's hometown show in New York City. The tour will make stops in Nashville, Los Angeles, Toronto and Boston among others. DREAM THEATER will be performing classics and fan favorites from their catalog in what promises to be an unforgettable evening of music.

DREAM THEATER states: "The excitement we have felt from the fans since the first tour was announced has been overwhelming! Now we get to bring the show to our home country and play a bunch of cities that we haven't been together in for more than a decade. We can't wait to continue this historic celebration of 40 years together with everyone in North America next year. We still have plenty of more exciting DREAM THEATER news to share in the coming weeks."

"An Evening With Dream Theater 40th Anniversary Tour 2024 - 2025" North American dates:

February 07 - Philadelphia, PA - The Met
February 08 - Raleigh, NC - Martin Marietta Center
February 10 - Nashville, TN - Opry House
February 11 - Atlanta, GA - Coca-Cola Roxy
February 12 - Biloxi, MS - Hard Rock Café
February 14 - Houston, TX - 713 Music Hall
February 15 - Dallas, TX - Texas Trust CU
February 16 - San Antonio, TX - Majestic
February 18 - Phoenix, AZ - Arizona Financial Center
February 19 - Highland, CA - Yaamava Theater
February 21 - Las Vegas, NV - The Chelsea
February 22 - Los Angeles, CA - YouTube Theater
February 24 - San Jose, CA - San Jose Civic
February 25 - Sacramento, CA - Safe Credit Union Performing
February 27 - Seattle, WA - Moore Theater
February 28 - Portland, OR - Keller Auditorium
March 02 - Reno, NV - Grand Sierra
March 04 - Salt Lake City, UT - Maverik Center
March 06 - Denver, CO - Mission Ballroom
March 08 - Chicago, IL - Chicago Theatre
March 09 - Cleveland, OH - MGM Northfield Park
March 11 - Toronto, ON - Coca-Cola Coliseum
March 12 - Montreal, QC - Place des Arts
March 14 - Wallingford, CT - Oakdale Theater
March 15 - Boston. MA - Boch Center
March 17 - Rochester, NY - Kodak
March 18 - Wheeling, WV - Capitol Theater
March 19 - Cincinnati, OH - Brady Music Center
March 21 - Washington, DC - The Anthem
March 22 - New York, NY - Radio City Music Hall

This past April, DREAM THEATER announced the European leg of its "40th Anniversary Tour 2024 - 2025". The trek — presented as "An Evening With Dream Theater" — is the first outing since Portnoy's return.

The European leg of DREAM THEATER's "40th Anniversary Tour 2024 - 2025" consists of stops in 23 cities and kicks off on October 20 and runs through November 24.

In a recent interview with Chile's Sonar FM, Portnoy, who returned to the band last October after a 13-year absence, was asked if he missed playing with DREAM THEATER during his time away from the group. He responded: "Well, of course, I always missed DREAM THEATER and the music and the guys and the fans. Not all DREAM THEATER fans went on the ride with me with all of my other bands. So, every time I would tour with SONS OF APOLLO or WINERY DOGS or SHATTERED FORTRESS or NEAL MORSE BAND, I would see some DREAM THEATER fans, but there's a big portion of the fanbase that wasn't with me for all those years. So yeah, I missed them and I missed the guys and I missed the music. We were always a family first and foremost."

Regarding the fact that he is once again in charge of coming up with the setlists for DREAM THEATER's live shows, Mike said: "Yeah, it's an area that was always my department and my passion. I always wrote all the setlists for DREAM THEATER, as well as any of my bands or projects. That's an area that's very important to me. And yeah, when I came back to DREAM THEATER, a lot of the things we have to figure out who's gonna be in charge of what. There's a lot of areas that I used to be in charge of, which now John [Petrucci, DREAM THEATER guitarist] may do, or maybe the band makes band decisions. So I have to kind of find my place within the band's chemistry now. But yeah, one of the things that they did give back to me was the setlist and writing the setlist. So yeah, it was something that was a lot of fun and exciting — a great open palette to work with, really. 40 years of music, and I haven't played any of this music with the guys in almost 15 years. So it's all so fresh. Back in 2010, I might have been bored with it, but now in 2024, I'm just as excited to play those songs as any of 'em."

On the topic of how different it is to play with DREAM THEATER in 2024 compared to how it was 14 years ago, Mike said: "There's two sides to that question. The first I'll say, personally, I think we're just all older and wiser, more mellow. I am not as much of a control freak as I used to be; I'm a lot more easygoing, a lot more mellow. So, yeah, there's the one side of the natural age of everybody just — we're now in our fifties and sixties, and I think we're just more mature and experienced. But the other side to that question is, like I just mentioned, finding my place within this new chemistry and overseeing every area. And then when I left the band, they needed to take some of these areas and divide them up amongst themselves and have different people overseeing different areas. And now that I'm coming back, I have to kind of see what's comfortable. I have to very much respect that they've had 13 years without me and they may do things a certain way differently now. So it's up to me to really be very respectful to that and not try to force myself in any of the areas. So anytime something comes up, whether we're talking about a setlist or the merchandise or how they wanna record in the studio, no matter what the subject is, it's always now, like, 'Okay, well, how do you guys do it now? How do you want me involved? Do you want me to oversee it? Do you want me to stay out of it? That's fine too.' And it's kind of like a learning process to find myself comfortable with the way that the band works now."

Portnoy also talked about DREAM THEATER's upcoming sixteenth album, which is still in the process of being recorded. He said: "We started the new album in February of this year, and we figured that was about 15 years since we last made a record together with 'Black Clouds & Silver Linings' in 2009. So we got together — February 7th, 2024, I think is when we moved into the studio to begin — and it felt like it had only been one week since we finished 'The Count Of Tuscany' and wrapped the last album. It felt like it was only one week. It felt like only a week had passed. Like, okay, here we are 15 years later, but it felt like just yesterday. That's how familiar and comfortable the chemistry is with the five of us. We immediately felt comfortable, like not a day had passed, and immediately started writing ideas and bouncing ideas off of each other. And it just quickly snowballed and we were up and running and off and going."

Portnoy recently told the "So...You Want To Be A Musician?" podcast about his mindset when rejoining DREAM THEATER: "At our ages, we realized when we decided to reunite and get back together, I'd be lying if I didn't say we didn't start to look in the mirror and look at the clock and say, who knows how much time we have left? The clock is ticking, and we realize we're not gonna be here forever. And we wanna spend whatever time we have left together making music with the people that we grew up with and the people that we love. So, yeah, that's kind of where we're at at this stage."

Portnoy admitted to Spain's Mariskal Rock that he "needed to get used to was being the 'new guy'" after rejoining DREAM THEATER, "being the new guy in a band that I helped form when I was a teenager. So it's a bit of a transition for me to go from being a bit of the leader, as I was back when I left the band, now I have to kind of find my way back into the chemistry and I need to respect the fact that they've been doing this for 13 years without me and they have maybe new ways of doing things, new ways of making decisions," he explained. "So … I have had to be very respectful for my role as the new guy and finding my way back into the chemistry of the band."

This past June, Portnoy was asked by Brazil's Marcelo Vieira and Matheus Ribeiro if DREAM THEATER's upcoming sixteenth studio album picks up from where the last DT LP he played on, 2009's "Black Clouds & Silver Linings", left off or if it's a different thing entirely. He responded: "If I'm being honest, I think it picks up right where 'Black Clouds' left off, to be honest. There's a certain style that the five of us have when we write together. And if you listen to the album with this lineup from 1999, '[Metropolis Pt. 2:] Scenes From A Memory', through 2009's 'Black Clouds & Silver Linings', if you look at that string of five or six albums, that's the sound and style of these five people. So I think that's a good indication of what you can expect with the new DREAM THEATER album. It definitely sounds like classic DREAM THEATER."

DREAM THEATER's upcoming effort will mark the progressive metal legends' first LP since Portnoy's return to the group.

Portnoy co-founded DREAM THEATER in 1985 with guitarist John Petrucci and bassist John Myung. Mike played on 10 DREAM THEATER albums over a 20-year period, from 1989's "When Dream And Day Unite" through 2009's "Black Clouds & Silver Linings", before exiting the group in 2010.

Mike Mangini joined DREAM THEATER in late 2010 through a widely publicized audition following the departure of Portnoy. Mangini beat out six other of the world's top drummers — Marco Minnemann, Virgil Donati, Aquiles Priester, Thomas Lang, Peter Wildoer and Derek Roddy — for the gig, a three-day process that was filmed for a documentary-style reality show called "The Spirit Carries On".